Guest Posted May 30, 2014 Posted May 30, 2014 White Moustache Talk Imagine that a musician would play a sound with the certainty of having an infinite amount of time and space. This release, on the other hand, is painfully short at 15 minutes, but still works perfect. Olivier Fairfield plays the organ and Pierre-Yves Martel, whom you might have heard before on Transition de phase, plays his prepared viola da gamba, using quite a range of non-conventional techniques on this traditional instrument. One of the reasons why a well done improv piece is so sweet is that the players most likely couldn’t find this kind of balance and interplay if they tried to pre-plan it. Deeply visceral stuff, creepy and delightful at the same time. It’s also freely available for digital download. (LordSuperb) http://cookshop.ro/2014/05/30/white-moustache-talk/ http://whitemoustachetalk.bandcamp.com/ http://pymartel.com/bio
iulia_i Posted June 4, 2014 Posted June 4, 2014 zilele astea am fost biencuvantata cu multe descoperiri muzicale, majoritatea din sfera 'vocii' dar.... spre exemplu, am dat de tipul asta cu o voce soul si multe multe improvizatii originale si nici tipa nu-i rea, cel putin aici apoi am dat de o tipa gen Tina Turner care canta blues-uri inca o tipa tare, numa ca asta canta si la chitara. rawr! asta nu cred ca mai are nevoie de prezentare, se vede din video crazy momma singing the blues Asta nu e chiar descoperire muzicala in adevaratul sens al cuvantului, dar e o auditie X Factor faina.
'mnezău Posted June 5, 2014 Posted June 5, 2014 (edited) Nu mă întrebaţi "de ce?", pentru că nu aş şti să răspund, dar îmi place la nebunie. Edited June 5, 2014 by 'mnezãu 1
alex212 Posted June 5, 2014 Posted June 5, 2014 (edited) Nu mă întrebaţi "de ce?", pentru că nu aş şti să răspund, dar îmi place la nebunie. On-topic: Edited June 5, 2014 by alex212
'mnezău Posted June 6, 2014 Posted June 6, 2014 Daca tot m-am învârtit prin rock-ul japonez în ultimul timp, mai vin cu o trupă. Se numesc Maximum the Hormone. Destul de vechi în meserie, au câteva albume la activ, un stil destul de unic. 1
Guest Posted June 12, 2014 Posted June 12, 2014 Derek Bailey (29 January 1930 – 25 December 2005) was an English avant-garde guitarist and leading figure in the free improvisation movement. [...] In 1980, he wrote the book Improvisation: Its Nature and Practice. This was adapted by UK's Channel 4 into a four-part TV series in the early '90s, edited and narrated by Bailey.For listeners unfamiliar with experimental music, Bailey's distinctive style can be challenging. Its most noticeable feature is what appears to be its extreme discontinuity, often from note to note: there may be enormous intervals between consecutive notes, and rather than aspiring to the consistency of timbre typical of most guitar-playing, Bailey interrupts it as much as possible: four consecutive notes, for instance, may be played on an open string, a fretted string, via harmonics, and using a nonstandard technique such as scraping the string with the pick or plucking below the bridge. Many of the key features of his music—radical discontinuity, the self-contained brevity of each gesture, an attraction to wide intervals—owe much to Bailey's early fascination with Anton Webern, an influence most audible on Bailey's earliest available recordings, Pieces for Guitar (1966–67, issued on Tzadik)[citation needed].Playing both acoustic and electric guitars (although more usually the latter), Bailey was able to extend the possibilities of the instrument in radical ways, obtaining a far wider array of sounds than are usually heard. He explored the full vocabulary of the instrument, producing timbres and tones ranging from the most delicate tinklings to fierce noise attacks. (The sounds he produced have been compared to those made by John Cage's prepared piano.) Typically, he played a conventional instrument, in standard tuning, but his use of amplification was often crucial. In the 1970s, for instance, his standard set-up involved two independently controlled amplifiers to give a stereo effect onstage, and he often would use the swell pedal to counteract the "normal" attack and decay of notes. He also made highly original use of feedback, a technique demonstrated on the album String Theory (Paratactile, 2000). Throughout both his commercial and improvising careers his principal "working guitar" was a 1963 Gibson ES 175 model, serial number 120592.Although Bailey occasionally made use of prepared guitar in the 1970s (e.g., putting paper clips on the strings, wrapping his instruments in chains, adding further strings to the guitar, etc.), often for Dadaist/theatrical effect,[citation needed] by the end of this decade he had, in his own words, "dumped" such methods.[8] Bailey argued that his approach to music-making was actually far more orthodox than performers such as Keith Rowe of the improvising collective AMM, who treats the guitar purely as a "sound source" rather than as a musical instrument. Instead, Bailey preferred to "look for whatever 'effects' I might need through technique". http://en.wikipedia.org/wiki/Derek_Bailey_(guitarist)
mathe adrian Posted June 12, 2014 Posted June 12, 2014 (edited) Nu mă întrebaţi "de ce?", pentru că nu aş şti să răspund, dar îmi place la nebunie. Hentai ceva?? ) Edited June 12, 2014 by mathe adrian
tudorzzz Posted October 20, 2014 Posted October 20, 2014 m-a cucerit total ! n-am mai auzit pe nimeni sa scoata sunetele astea dintr-un telecaster
Guest Posted February 3, 2015 Posted February 3, 2015 Bird Traps "...slow shimmering soundscapes, cinematic and warm, lush and emotional, long slowly unfurling melancholic melodies, sun dappled and soft focus, dreamlike abstract chamber music of sorts reminding us of William Basinski, the Caretaker, Rachel's, Klimek, Max Richter, Tim Hecker, Belong, but unlike many of those sound sculptors, the music of Bird Traps is not distorted, or decayed, not warped or blown out, but IS hushed and delicate, mysterious and gauzy, a softly spun series of mini epics, long tones stretched out over hazy expanses of minimal whir, of blurred minimal melody, the songs developing gradually, soft swells giving way to gentle washes of crystalline sound, completely mesmerizing, able to envelop the listener in a velvet cocoon of sonic tranquility, but infused with just enough pathos and emotion, to make the sounds compelling, evocative, intimate and intense. A soundtrack to a slowly shifting, nearly static sepia toned film of the sky melting into the horizon, the stars fading into the cloak of night, this world slipping into the next... " Aquarius RecordsComposed by Marcus Skinner, Bird Traps continues to build on abstraction and minimalist arrangements, The sound features a four piece string section, guitars, organs and field recordings from forests, building sites, the hum of air conditioners and broken fuzz pedals. http://birdtraps.co/home.htmlhttp://birdtraps.bandcamp.com/https://www.facebook.com/birdtraps
Guest Posted February 6, 2015 Posted February 6, 2015 Cine a văzut Hannibal știe despre ce este vorba. Brian Reitzell “Hannibal is a monster of a score so there’s four CD’s and six vinyl double records,” says Reitzell. “I mean, it’s really ridiculous. It’s wonderful but it’s unique in a way. I’ve put a lot of records out and a lot of soundtracks and Hannibal is kind of a special one.” http://www.vulture.com/2014/09/brian-reitzell-hannibal-music-interview-composer.htmlhttp://www.spin.com/articles/brian-reitzell-soundtrack-auto-music/http://www.redbullmusicacademy.com/magazine/brian-reitzell-interviewhttp://louderthanwar.com/brian-reitzell-interview/http://grantland.com/hollywood-prospectus/these-rooms-are-floating-how-brian-reitzell-creates-tvs-creepiest-soundtrack/http://www.nerdist.com/2014/09/interview-hannibal-composer-brian-reitzell-teases-season-3-and-discusses-his-techniques/http://www.moderndrummer.com/site/2014/08/modern-drummer-podcast-episode-1-brian-reitzell/#.VNUnNSxFliw
'mnezău Posted February 13, 2015 Posted February 13, 2015 O trupă pe care am descoperit-o recent. Ceva de genul "cum ar fi să combinăm Queen, Rush, Genesis şi Saga şi să facem o trupă?" 2
StratMan Posted February 16, 2015 Posted February 16, 2015 O alta trupa recenta care activeaza in Spania: 1
StratMan Posted February 19, 2015 Posted February 19, 2015 Un supergrup, nou infiintat, impresionant! 1
karpi Posted February 19, 2015 Posted February 19, 2015 (edited) Un supergrup, nou infiintat, impresionant! Fain ...Suna a Winger + Stix lipseste Tommy Shaw ....aceleasi "radacini" Doritorii sa foloseasca butonul sigla = YOUTUBE_COM de pe imaginea videoului /"watch on YouTube_com " deoarece vad ca are blocata vizionarea de pe alt site ... https://www.youtube.com/watch?v=NF_-_MVfFiw Jack Blade mi-a placut impreuna cu Tommy Shaw si Ted Nugent , supergrupul Damn Yankees https://www.youtube.com/watch?v=RLetxDAiHKk Edited February 19, 2015 by karpi
Runaway_Girl Posted February 22, 2015 Posted February 22, 2015 ...Ewan Dobson... Chitarist fingerstyle, de origine canadiană... îmbină elemente din muzica lui Paganini, cu cele de metal, bluegrass, trance, folk... Recomand piesele Wash Away, Machinery, The Legend Of The Brown Goat, Disk Read Error şi Level 40. Îmi cer iertare că nu pot posta link-uri către piesele dânsului.. 1
CiocanelBloodyCIocanel Posted February 22, 2015 Posted February 22, 2015 m-a spart cu compozitia asta...
Neuro Posted March 1, 2015 Posted March 1, 2015 Un fel de Dixie Metal cu opera si diverse combinatii stilistice:) 3
'mnezău Posted March 6, 2015 Posted March 6, 2015 (edited) Tot în genul Diablo Swing Orchestra: Si mai cunoscuti: Edited March 6, 2015 by 'mnezău
Guest Posted March 20, 2015 Posted March 20, 2015 (edited) Giraffes? Giraffes! (often abbreviated as G? G!) are an instrumental math rock band formed in 2001 in Massachusetts by guitarist/drummer Kenneth Topham and guitarist Joseph Andreoli. Along with math rock, the band's music frequently touches on post-rock, progressive rock and experimental rock. GIRAFFES? GIRAFFES! is/are the musical duo of Joseph ‘Joe’ Andreoli and Kenneth ‘Ken’ Topham. They play guitar, drums, keyboards and other noodley-woodleys and clankey-wankeys and occasionally bleat and breathe mouth-sounds into microphones. They’re known for writing engaging music- employing alternatively-tuned guitars, loops, two-handed tapping, traditional and bizarro drum work, lots of effect pedals, and sometimes wackadoo time-signatures. Some call the songs ‘math-rock’ or ‘post-rock’ or ‘experimental pop’ or ‘experimental poop’- but most people call it “hot shit!” which could be taken either way…http://www.giraffesgiraffes.com/https://giraffesgiraffes.bandcamp.com/ https://www.facebook.com/giraffesgiraffes Edited March 20, 2015 by Guest
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