Razvan S.

Some news ?

fii atent la culori, sunt diferite

e AC, nu DC probabil http://www.gear4musi...es-and-PODs/BTD

mor mă

facepalm

in Hd chiar

touch it touch it Btw, ce ,,placut'' a fost cand un condensator de 47uf 450V mi s-a descarcat in ambele maini , pentru o secunda am crezut ca sunt ceva din X Men

mi-ai luat emoticonul din ,,gură''

E stricat. Arunca-l. WHat haz me seen here! http://www.glowingtu...FloydTuning.htm

Nu cred ca mai conteaza asta, dupa ce am ,,citit'' topicul si ,,trupa'', dar sigur am facut:

basswood sucks!fara ton..fara nimic, vai de capul lui de lemn ascultati ce zice expertul ghimpenegru ca stie el bine ce stie

ar trebui sa fie fix intre pre si power, literally intrerupi semnalul si faci ceva in genul acesta(poza e de pe net,NU e din schema ta): http://thmq.mysteria...ple_FX_loop.gif o sa ma uit mai bine pe schema, sunt cam noob vad ca ai reverb, undeva inainte de reverb ar trebui pus, nu dupa banuiesc ca asa ceva ar fi, correct me if i'm wrong (probably am )

am cantat pe 2 dinastea , modele din ani diferiti la repetitii la cineva e foarte faina intradevar, mi se parea ridicol de low actionul

hissul apare inevitabil la volume mari cand ai gain mare dat din amp problema la tine cu toate astea are legatura cu masa, sau cablul (si impamantarea probabil)

In a nutshell http://www.theaudioa...Solid_State.htm " The primary color characteristic of an instrument is determined by the strength of the first few harmonics. … Theodd harmonics (third and fifth) produce a "stopped" or "covered" sound. The even harmonics (second, fourth, and sixth) produce "choral" or "singing" sounds. The second and third harmonics are the most important from the viewpoint of the electronic distortion graphs in the previous section.Musically the second is an octave above the fundamental and is almost inaudible; yet it adds body to the sound, making it fuller. The third is termed quint or musical twelfth. It produces a sound many musicians refer to as "blanketed." Instead of making the tone fuller, a strong third actually gives the sound a metallic quality that gets annoying in character as its amplitude increases. A strong second with a strong third tends to open the "covered" effect. Adding the fourth and fifth to this changes the sound to an "open horn" like character. " " The higher harmonics, above the seventh, give the tone "edge" or "bite." Provided the edge is balanced to the basic musical tone, it tends to reinforce the fundamental, giving the sound a sharp attack quality. Many of the edge harmonics are musically unrelated pitches such as the seventh, ninth, and eleventh. Therefore, too much edge can produce a raspy dissonant quality. Since the ear seems very sensitive to the edge harmonics, controlling their amplitude is of paramount importance."

Poate totusi te ajuta si asa ceva are si iesire de footswitch si se poate folosi deci si ca ,,pedala'' nu numai in rack. 12 band, pt cunoscatori. http://www.rockman.fr/Reviews/EQ.htm

exact ce planific sa fac eu sapt viitoare cum am mai spus, if they're good enough for Govan, they're good enough for me.

Salve man, nu vrei un egalizator misto pe pedala de volum? Am si traf AC 12V pt el. Daca te intere, da pm.

1. loop bagi reverb 2. ac sim - compression -distors 3. compression -ac sim - distors 4. ac sim - distors - compression 1 e de preferat sa fie tot timpul asa,dupa gust 2, 3 sau 4 Se incearca.

Depinde cat vrei sa investesti.

Daca nu are impamantare si atinge ceva metalic cantand la chitara se curenteaza putin. Asa pateam eu cand nu avusesem impamantare trasa; cantam la chitara si am atins odata caloriferul sa vad daca e cald La fel si cu spatele la PC.

Exact, unii poate vor sa faca SWELLS cu deschidere rapida

Iti dau NS-2 pe cabu ala 2 x 12 ce il ai, daca, cumva ai vrea sa il dai la schimb (pm me)

S-a mai postat la ganduri razlete pe 13 feb... http://forums.rgc.ro/topic/3937-ganduri-razlete/page__view__findpost__p__645261