Razvan S.

meanwhile, the salvaged shit (bahaha sunt curios daca merge)

e mai rau, deja se indreapta spre locul de resedinta a lui Ironside

mmm Originally Posted by 67super John is right on as usual, the only other thing I do, especially on old Fenders, is replace the 100K plate resistors. So many old Fenders pop and cracle as a result of these going bad. It's an easy job while your in there. Ah, that's one of the ones I don't like to do unless they've gone way out of spec or started to crackle . There's mojo in them ol' plate resistors... Mersi!

ai nou dar asta e farmecul BHAHAHAHAH, da-l dreaq ca nu tre sa fie accurate, tocmai asta e farmecul, iese o porcarie

ţs ţs ţs be green! salvage parts!

asta de exemplu imi transmite ceva special ,,Plumb''-esc , nu pot descrie dar ,nici nu as vrea si intr-o totala alta ordine de idei, this:

cam asa e si a lui http://www.euronet.nl/~wat/studio/pix/LPhead1.jpg

Pt 57 special Si comments: Chris Corrado · Cal U Whoever made this post is a fucking moron. These pieces have such different purposes they should not be compared. The second one has emphasis on colour and line, while the first one has emphasis on form and space. Learn the basics of design before thinking you can be a critic of design. Reply · 582 · Like · Follow Post · Yesterday at 3:12am Omar Guzman · Top Commenter · Arizona Western College ultra gaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaay! Reply · 1,423 · Like · Yesterday at 3:53am

eu n-as putea canta normal pe asa ceva + ca ti s-ar pune in timp la rugina de la capacele alea in fericire

Some news ?

fii atent la culori, sunt diferite

e AC, nu DC probabil http://www.gear4musi...es-and-PODs/BTD

mor mă

facepalm

in Hd chiar

touch it touch it Btw, ce ,,placut'' a fost cand un condensator de 47uf 450V mi s-a descarcat in ambele maini , pentru o secunda am crezut ca sunt ceva din X Men

mi-ai luat emoticonul din ,,gură''

E stricat. Arunca-l. WHat haz me seen here! http://www.glowingtu...FloydTuning.htm

Nu cred ca mai conteaza asta, dupa ce am ,,citit'' topicul si ,,trupa'', dar sigur am facut:

basswood sucks!fara ton..fara nimic, vai de capul lui de lemn ascultati ce zice expertul ghimpenegru ca stie el bine ce stie

ar trebui sa fie fix intre pre si power, literally intrerupi semnalul si faci ceva in genul acesta(poza e de pe net,NU e din schema ta): http://thmq.mysteria...ple_FX_loop.gif o sa ma uit mai bine pe schema, sunt cam noob vad ca ai reverb, undeva inainte de reverb ar trebui pus, nu dupa banuiesc ca asa ceva ar fi, correct me if i'm wrong (probably am )

am cantat pe 2 dinastea , modele din ani diferiti la repetitii la cineva e foarte faina intradevar, mi se parea ridicol de low actionul

hissul apare inevitabil la volume mari cand ai gain mare dat din amp problema la tine cu toate astea are legatura cu masa, sau cablul (si impamantarea probabil)

In a nutshell http://www.theaudioa...Solid_State.htm " The primary color characteristic of an instrument is determined by the strength of the first few harmonics. … Theodd harmonics (third and fifth) produce a "stopped" or "covered" sound. The even harmonics (second, fourth, and sixth) produce "choral" or "singing" sounds. The second and third harmonics are the most important from the viewpoint of the electronic distortion graphs in the previous section.Musically the second is an octave above the fundamental and is almost inaudible; yet it adds body to the sound, making it fuller. The third is termed quint or musical twelfth. It produces a sound many musicians refer to as "blanketed." Instead of making the tone fuller, a strong third actually gives the sound a metallic quality that gets annoying in character as its amplitude increases. A strong second with a strong third tends to open the "covered" effect. Adding the fourth and fifth to this changes the sound to an "open horn" like character. " " The higher harmonics, above the seventh, give the tone "edge" or "bite." Provided the edge is balanced to the basic musical tone, it tends to reinforce the fundamental, giving the sound a sharp attack quality. Many of the edge harmonics are musically unrelated pitches such as the seventh, ninth, and eleventh. Therefore, too much edge can produce a raspy dissonant quality. Since the ear seems very sensitive to the edge harmonics, controlling their amplitude is of paramount importance."