Vladimir Tepes Posted March 8, 2009 Share Posted March 8, 2009 au corzi speciale pui corzile invers ca intr-un floyd obisnuit cu plumbul la cheite, acolo in loc de cheite are un suport cu gauri o lamela simpla prin care trec corzile si se opresc in plumb, apoi in floyd s emonteaza usor cu piedica. Link to comment Share on other sites More sharing options...
vektor Posted March 8, 2009 Share Posted March 8, 2009 nu e floyd. E un sistem propriu, si seamana mai degraba cu un Bigsby sau un Kahler 7x00. Foloseste corzi double-ball-end. Link to comment Share on other sites More sharing options...
Demos Posted March 8, 2009 Share Posted March 8, 2009 poate sa fie si floyd rose speedloader pentru unele chitare . Link to comment Share on other sites More sharing options...
Guest PhenomenOn Posted March 8, 2009 Share Posted March 8, 2009 Eu detin una si pot sa va spun ca sunt chitari foarte bune, nu se dezacordeaza, se canta foarte usor pe una si se pun corzile foarte usor... Acum, totul tine de gust, puteti asculta Vitto Bratta, Allan Holdsworth, Brett Garsed, Tj Helmerich, etc. sa vedeti despre ce e vorba Link to comment Share on other sites More sharing options...
mu5ai Posted March 9, 2009 Share Posted March 9, 2009 Eu detin una si pot sa va spun ca sunt chitari foarte bune, nu se dezacordeaza, se canta foarte usor pe una si se pun corzile foarte usor... Acum, totul tine de gust, puteti asculta Vitto Bratta, Allan Holdsworth, Brett Garsed, Tj Helmerich, etc. sa vedeti despre ce e vorba chitari de gin-gin-gin... Link to comment Share on other sites More sharing options...
Guest Torque1981 Posted March 9, 2009 Share Posted March 9, 2009 Mie personal nu imi plac ca design dar performantele lor nu le pun la indoiala. Eu unul nu mi-as cumpara - prefer stilul mai clasic de chitara (STRAT si Les Paul). Totusi pentru amatori de Steinberger Link to comment Share on other sites More sharing options...
Guest PhenomenOn Posted March 9, 2009 Share Posted March 9, 2009 chitari de gin-gin-gin... nu e adevarat, mai degraba chitara de fusion Link to comment Share on other sites More sharing options...
denis_symbiotic Posted March 9, 2009 Author Share Posted March 9, 2009 nu e adevarat, mai degraba chitara de fusion poti sa canti orice pe ea de la fusion(Allan Holdsworth, Derryl Gabel) pana la death metal (Paul Masvidal-Cynic) si prog rock( Mike Rutherford-Genesis) si cam orice. Link to comment Share on other sites More sharing options...
Susceptor Posted March 9, 2009 Share Posted March 9, 2009 Mie mi-ar placea daca ar avea un cap cu o forma originala; nu conteaza ca e de decor, vreau doar sa fie pus acolo. Link to comment Share on other sites More sharing options...
denis_symbiotic Posted March 9, 2009 Author Share Posted March 9, 2009 sunt si modele cu headstock, extrem de rare(s-au construit vreo 350 de bucati) si la pretz mai mic de 3500$ nici nu gasesti una http://www.edroman.com/guitars/steinberger...s/ste_13977.jpg Link to comment Share on other sites More sharing options...
vektor Posted March 9, 2009 Share Posted March 9, 2009 Eh, acum mai vii de-acasa. Cred ca e dubla Am impresia ca faptul ca "are fund" ii afecteaza cursa trem-ului. Link to comment Share on other sites More sharing options...
denis_symbiotic Posted March 9, 2009 Author Share Posted March 9, 2009 nu iti fa griji merge super si ala nu e orice tremolo e trans-trem adica iti poate transpune acordajul din semiton in semiton pana la doua tonuri in sus sau doua in jos ca sa nu te cari cu tzashpe ghitari dupa tine la concerte Link to comment Share on other sites More sharing options...
vektor Posted March 9, 2009 Share Posted March 9, 2009 Yeah, yeah. Still cool though. Link to comment Share on other sites More sharing options...
Susceptor Posted March 9, 2009 Share Posted March 9, 2009 Nu, nu, ziceam de chitari in care capul e de decor, cum erau chitarile facute de Floyd Rose. Link to comment Share on other sites More sharing options...
Black_gdansk Posted March 16, 2009 Share Posted March 16, 2009 Ce pareri aveti despre ghitarile headless ( is special Steinberger)?Mie mi se par foarte ingenioase, revolutionare si moderne. Si ca design mi se par cele mai frumoase. Am obsevat ca multa lume nu le agreaza deoarece sunt prea radicale. Sunt curios si de parerile voastre. Sunt instrumente foarte apreciate, din cate stiu eu. Mie personal imi plac insa nu acelea care corp asemanator cu o chitara normala ci acele cu corp patrat. Link to comment Share on other sites More sharing options...
horica Posted March 16, 2009 Share Posted March 16, 2009 http://www.youtube.com/watch?v=eBcNOp0EZBc mer'e si-un blues Link to comment Share on other sites More sharing options...
Guest .::Chris::. Posted March 16, 2009 Share Posted March 16, 2009 urate arata ca niste lopeti/maturi. mie personal nu imi plac. Link to comment Share on other sites More sharing options...
kapak Posted March 17, 2009 Share Posted March 17, 2009 sunt superchitari, dupa parerea mea. Link to comment Share on other sites More sharing options...
karpi Posted March 17, 2009 Share Posted March 17, 2009 1. economie de materiale 2. Reclama agresiva 3 . Teoretic ar trebui sa aiba sustain mai bun . Nu mai ai reflexii ale corzilor de dupa pragus. Lucru ce in schimb are influenta si asupra timbrului. Neavand un sound "legendar " si nici n-au devenit chitare legendare in ultimi 20 de ani sufera doar o recosmetizare , poate prinde la tineri care inca nu au vazut.Plus internetul cu posibilitati noi de reclama. Link to comment Share on other sites More sharing options...
Guest Posted March 18, 2009 Share Posted March 18, 2009 (edited) Mai sunt si Kramer Duke Series: http://www.vintagekramer.com/alum.htm In 1975 Fender a avut o tentativa de bas headless. Cort si Warwick au produs: Edited March 18, 2009 by Guest Link to comment Share on other sites More sharing options...
ebh Posted March 18, 2009 Share Posted March 18, 2009 Pe astea cum le agati in stand de perete? Link to comment Share on other sites More sharing options...
vektor Posted March 18, 2009 Share Posted March 18, 2009 cu fundu-n sus Link to comment Share on other sites More sharing options...
Guest morphine Posted March 18, 2009 Share Posted March 18, 2009 mie sincer nu imi plac, desi nu am avut ocazia sa vad una decat in poze tot mi se par neterminate si urate Link to comment Share on other sites More sharing options...
Guest JoN Posted March 18, 2009 Share Posted March 18, 2009 Interesante....dar aratã cam sec cu ciotu` ãla. Link to comment Share on other sites More sharing options...
gadjo Posted March 19, 2009 Share Posted March 19, 2009 am tot ascultat Allan Holdsworth in ultima vreme si uneori suna demential. nu neaparat a chitara, mai degraba pian electric dar oricum, e superb. or fi urate dar suna deosebit... deci daca s-ar pune problema, mi-as lua una Link to comment Share on other sites More sharing options...
Guest Posted March 19, 2009 Share Posted March 19, 2009 (edited) Since I am in the business of making headless basses, I'll start with the story of the Fender headless bass, which was developed by Gene Fields in 1975.I got to know Gene during my years in the R&D department. Gene was with Fender research and development for 23 years!Some of his designs include the P.S. 210K keyless pedal guitar, the Starcaster thinline hollowbody guitar, and the second generation Marauder guitar. ... Two years later, the company was purchased by the Fred Gretsch company, and rather than relocate again, Gene formed GFI Musical Products in Arlington, Texas, building high-quality pedal steel guitars. A few years ago, I went to the Arlington Fall Nationals guitar show and bumped into Gene.We had not seen each other for 20 years, so we grabbed a cup of coffee and sat down for a talk.As I told Gene about my company and our "Headless" and Key Factor bass guitars, he said he had something interesting to show me.I was amazed when he produced a Fender headless bass prototype.I was surprised because I never knew a project like that was ever developed at Fender.I asked Gene to explain how this instrument came to be.Here is his story. ... Gene was asked to research the cause of this problem and eliminate it if possible.He tried many things, including double truss rods, all-maple bodies, uncarved necks to make them stiffer, as well as a multitude of different strings.Finally, he made a solid aluminum neck. All this research resulted in making the dead spot move to new areas of the neck.The Aluminum neck moved the dead spot up to the seventh fret. This was the clue Gene was looking for, it told him the dead spot was a result of the resonant frequency of the neck.At this point, Gene attached a 11/2-pound C clamp to the head of a stock P-Bass neck as ballast, to dampen neck vibration.This had the effect of moving the dead spot down in frequency and almost disappearing. Unfortunately, as most key-headed bass guitars are head-heavy to begin with, adding weight to the head was out of the question.An opposite approach was to lighten the head of the neck.Gene took another stock P-Bass neck and removed all strings but the first one.This moved the dead spot up in frequency but did not eliminate it.Then Gene installed the first string in the fourth string position, removed the other three keys and began sawing off the head 1" at a time.He found that each time additional weight was removed from the head of the neck, the dead spot would move up in frequency.Then, Gene removed the last key, cut all but 1" of the head off and drilled a hole for the ball end of the string. ... Eventually, Fender gave the bass to Gene, and it is still in his possession. ... I'd like to thank Gene Fields for sharing his story with us. http://www.vintageguitar.com/features/bran...ls.asp?AID=1031 Edited March 19, 2009 by Guest Link to comment Share on other sites More sharing options...
denis_symbiotic Posted March 19, 2009 Author Share Posted March 19, 2009 am tot ascultat Allan Holdsworth in ultima vreme si uneori suna demential. nu neaparat a chitara, mai degraba pian electric dar oricum, e superb. or fi urate dar suna deosebit... deci daca s-ar pune problema, mi-as lua una suna superb si ele, dar Allan are trucurile lui de a face orice ghitara sa nu sune a ghitara , he's the man! Link to comment Share on other sites More sharing options...
srbnmircea Posted March 24, 2009 Share Posted March 24, 2009 Nu stiu de ce dar cand vad o chitara headless parca ar fi decapitata cu ghilotina,zici ca e mutilata.Mai bine le-ar pune numai pentru decor si ar mai regla si balansul. Link to comment Share on other sites More sharing options...
denis_symbiotic Posted March 25, 2009 Author Share Posted March 25, 2009 pai tocmai de aia nu au headstock: ca sa fie mai bine balansate si mai ergonomice. Link to comment Share on other sites More sharing options...
Susceptor Posted March 25, 2009 Share Posted March 25, 2009 In ce sens balansate? Link to comment Share on other sites More sharing options...
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