Susceptor Posted June 20, 2005 Share Posted June 20, 2005 ce chitari, ce doze, ce ampuri, ce efecte..daca stie cineva (albumu, nu melodia) Link to comment Share on other sites More sharing options...
Cosu Posted June 20, 2005 Share Posted June 20, 2005 taticu uite aici : http://www.encycmet.com/equipment/khiseq.shtml http://www.encycmet.com/equipment/jayhiseq.shtml Link to comment Share on other sites More sharing options...
Susceptor Posted June 20, 2005 Author Share Posted June 20, 2005 merci mult...singura problema e ca nu merge situ..daca ai putea sa postezi ce scrie.. Link to comment Share on other sites More sharing options...
Cosu Posted June 20, 2005 Share Posted June 20, 2005 KIRK's EQUIPMENT CHRONOLOGY KILL 'EM ALL Guitars Gibson Flying V #1 Black w/ white pickguard 2 pickups which were eventually changed to EMG 81s in 1987 2 volume controls, 1 tone, triangle layout, set neck Was the main recording guitar for the first four albums The neck is glued on Can be seen: "Cliff 'Em All" inbetween "No Remorse" & "Metal Militia" Last time used live: "Master of Puppets" gigs Gibson Flying V #2 Red w/ white pickguard 1 Seymore Duncan pickup, the other pickup was taped over 2 volume controls, 1 tone, straight line layout, set neck Can be seen: Is an infamous picture of Lars holding 2 V's while getting hit with a sledgehammer. Last time used live: "Kill 'Em All" gigs Fernandes Flying V Black w/ white pickguard 1 bridge pickup, set neck 1 volume control, 1 tone Can be seen: "Cliff 'Em All" - ("No Remorse") Last time used live: "Kill 'Em All" gigs Amps Marshall 2-100 watt head and 4x12 cabinets he also used James Hetfield's modified Marshall amp Effects Boss distortion pedal RIDE THE LIGHTNING Guitars Jackson Randy Rhodes Custom Black, EMG 81 humbucker Neck-through body, string through body (no stop bar, only tune-o-matic) Kirk picked this guitar up at the Jackson factory while they were on tour. The guitar was just finished. In fact, he had to wait 2 hours for the glue on the nut to dry and for the guitar to be setup and strung! After the "... And Justice For All" tour, the guitar became mostly a D-tuned guitar Can be seen: Cliff 'Em All - (Creeping Death), and Live Shit: San Diego- (Sad But True) Still used live Fernandes Stratocaster #1 Black w/ white pickguard 3 single coil pickups (lace sensors?), Bolt-on neck, Floyd Rose trem 1 volume control, 2 tone Unknown graphic below trem Can be seen: "Cliff 'Em All" - ("The Four Horsemen") Last time used live: "Master of Puppets" gigs Amps Marshall 100 watt head and 4x12 cabinets MASTER OF PUPPETS Guitars Same as on previous albums Amps Mesa-Boogie Mark 2C amp (re-wired as a pre-amp) Marshall 100 watt power amp Marshall 4x12 cabinets GARAGE DAYS RE-REVISITED Guitars Same as on previous albums Amps Same as on Master of Puppets ... AND JUSTICE FOR ALL Guitars ESP M-II #1 "Skull and Crossbone" Black, 2x EMG 81 humbuckers Skull and Crossbone inlays, reverse headstock Pushead skull sticker on body This guitar was Kirk's original ESP MII. The headstock is slightly different than his following ESPs, the flat part is on the side of the headstock on this guitar, while the following ones are flat at the top of the headstock. Also, the skull inlays on this first ESP are oriented differently than his other one. The skulls are up and down when the guitar is in its stand, and his second one the skulls are up and down when the guitar is actually being played. This guitar now resides at the Rock and Roll Hall of Fame in Cleveland Ohio. Can be seen: "Live Shit: Seattle" - ("The Four Horsemen") Only used live: "...And Justice For All" gigs Gibson Les Paul Custom Black, white binding on body, tune-o-matic bridge 2x EMG 81 humbuckers, gold hardware 2 volume, 2 tone Can be seen: "Live Shit: Seattle" - ("Welcome Home (Sanitarium)"), "Cunning Stunts" - ("Guitar/Bass doodle") Still used live Tom Anderson ProAM (x2) Ash, Basswood body and Floyd Rose bridge The neck and middle pickup are ultrasonic stacked single coils and the bridge is a Tom Anderson H3. This one has a Floyd with a switcheroo switching system. The finish is a black & white bowling ball. The neck is maple/ Pau Ferro and has TA standard back shape with a 1 11/16" nut width EMG 81(neck), Anderson single coil pickups (during "Justice" tours) For recording "Metallica" and "Black" tours: EMG 81(neck), EMG-S single coil pickups Bolt-on neck, dot inlays Can be seen: "Live Shit: Seattle" - ("Seek and Destroy") Last time used live: "Black Album" gigs Jackson Soloist Red w/ black pickguard 1x EMG 81, 2x single coil pickups Floyd Rose bridge, bolt on neck Can be seen: "Live Shit: Seattle" - ("The Thing That Should Not Be") Amps Mesa-Boogie power-amp Mesa-Boogie '88 preamp Effects Aphex parametric EQ Around the time of "...And Justice for All", Kirk starts using a midi based and controlled system. Presets are controlled for each song (EQ, wah ect.) and can be changed off stage by his roadie Ian Ferguson. There is a large ammount of gear in Kirk's sound. METALLICA Guitars ESP KH-1 Flying V "Devil" Black w/ white, EMG 81 humbucker, 1 volume control Dancing devils inlays Similar model available ESP KH-1 Can be seen: "Live Shit: San Diego" - ("Last Caress") Only rarely used live Still used live ESP KH-2 M-II #2 "Skull & Crossbones II" Black, 2x EMG 81 humbuckers, 2 volume and 1 tone control Skull & crossbone inlays A red "Caution HOT" sticker now covers a large chip in the finish below the bridge, and a small sticker saying "Kirk's Guitar" above the neck pickup. Similar model available as ESP KH-2 Can be seen: "Live Shit: San Diego" - ("Harvester of Sorrow") Still used live ESP KH-2 M-II #3 "Ouija" Black, 2x EMG 81 humbuckers, 2 volume and 1 tone control Ouija board graphics between the pickups Half moon & star, star inlays Similar model available as ESP KH-2 Ouija (The ESP KH-2 Ouija with the 'Half Moon & Star' inlays are the later constructions and the ones with the 'Skull & Crossbones' inlays are the earlier constructions of the signature ESP KH-2 "Ouija" serie) Can be seen: "Cunning Stunts" - ("Ain't My Bitch") Still used live ESP Eclipse #1 "Spider" Black, 2x EMG 81 humbuckers, 2 volume and 1 tone control A pushead designed spider graphic is located below the trem Similar model available ESP KH-3 Can be seen: "Live Shit: San Diego" - ("Enter Sandman") Still used live ESP KH-4 M-II #4 Black, with mother-of-pearl pickguard 2x EMG 81 humbuckers, 2 volume and 1 tone control Neck-through-body, rosewood fretboard, dot inlays Floyd Rose bridge, black hardware You can see the order form for this guitar in the Live Shit book. Kirk uses this guitar with his Roland VG-8 midi processor for recording. Similar model available as ESP KH-4 Never used live Fender Stratocaster Cream with white pickguard, 3 Fender Lace Sensor pickups, 1 volume and 2 tone control Bolt-on neck, rosewood fretboard Can be seen: "Live Shit: San Diego" - ("The Unforgiven") Last time used live: "Black Album" gigs Ibanez RG470 Black, Ibanez Infinity pickups (humbuckers at neck and bridge, single coil at mid) 1 volume and 1 tone control Bolt-on neck, rosewood fretboard Floyd Rose Bridge, black hardware The guitar has been beaten up pretty bad, the bottom of the guitar is duct taped together. Can be seen: "Live Shit: San Diego" - ("Guitar solo (Mistreated)") Gibson Flying V #3 Black w/ white pickguard 2 Gibson PAF pickups 2 volume controls 1 tone, straight line layout, set neck Gold hardware, tune-o-matic bridge Can be seen: "Live Shit: San Diego" - ("Fade to Black") Only used live: "Black Album" gigs Amps Roland Jazz Chorus 120 Mesa-Boogie Triaxis preamps Mesa-Boogie Mark IV amp (re-wired as a pre-amp) Mesa-Boogie 100 watt power amp Mesa-Boogie 4x12 cabinets Studio: Marshall cabinets with 30 watt speakers VHT power-amp Effects Bradshaw preamp For the "Black Album" gigs and beyond, equip manager and bass roadie Zack Harmon designed speaker coffins for consistant tone. These were essentially large road cases housing a speaker cabinet, sound dampening and fixed positon microphones (maybe: Senheiser 421s). Kirk Hammett: "I used a Bradshaw because the mids were clean and the low end sounded real percussive. The harmonic distortion also sounded nice and dirty. For the highs we used two Marshalls. We combined all the sounds and put the Bradshaw pre-amp through a VHT power-amp. We put it all through Marshall cabinets with 30-watt speakers and blended all the room mikes. My sound is a lot thicker and punchier than before, and I think it's better than ever. For the majority of the leads on this album I used a third ESP guitar. I also used my 1989 black Gibson Les Paul Custom. For the clean sound, I used a '61 stock white Strat [stratocaster] and a Fender blac- face Deluxe. I also used a '53 Gibson ES-295 style, and an ESP Les Paul Junior with EMG pickups." source: GuitarWorld issue of '91 LOAD Guitars ESP KH-2 M-II #5 "Mummy" Original graphic from the movie "The Mummy" staring Boris Karloff 2x EMG 81 humbuckers, 2 volume and 1 tone control 'The Eye of Horus' inlays This guitar can not be ordered, because Kirk owns the rights of the drawing Can be seen: "Cunning Stunts" Still used live ESP Wavecaster Hollow plexi-glass Telecaster body filled with blue wave machine fluid, rosewood fretbard 1x EMG 81 humbucker, 1 volume control This is one of two guitars made by ESP. It was initally supposed to be a lava lamp, then a snow globe. The guitar is filled with the same fluids as a wave machine. Can be seen: "Cunning Stunts" - ("Am I Evil") Only used live for "Cunning Stunts" ESP LTD Black, dot inlays Seymour duncan humbucker (bridge), single coil (neck) 1 volume and 1 tone control Can be seen: "Cunning Stunts" (Kirk's guitar-smash) Amps Roland Jazz Chorus 120 Mesa-Boogie Mark IV amp (re-wired as a pre-amp) Mesa-Boogie Triaxis preamps Mesa-Boogie 100 watt power amp Mesa-Boogie 4x12 cabinets in sound coffins described above For amplification, Hammett uses a Marshall JMP-1 preamp, and a Mesa-Boogie Rectifier preamp into a Mesa-Boogie Strategy 400 Stereo power amp. Effects and preamp switching are accomplished with a BRADSHAW RSB 18R Rack Switcher with a remote pedal board. Kirk's tech, Justin Crew, uses the pedalboard enabling Hammett to have free reign of the stage. This also keeps the stage less cluttered due to the size of the pedalboard. RE-LOAD Guitars Gibson Les Paul Standard Cherry Burst Gibson PAF pickups, gold hardware Can be seen: "Memory Remains" video Dan Electro U2 Black with white pickguard Standard lipstick pickups Can be seen: "The Unforgiven II" video Godin Multiac Blonde Used for accoustic sets during the "ReLoad" tours ESP Semi-Acoustic Eclipse Red, semi-hollow mahogany body, rosewood fingerboard, dot inlays Piezo electric pickup with active EQ system, 1 volume control Used for the acoustic parts of the live show Amps Roland Jazz Chorus 120 Mesa-Boogie Mark IV amp (re-wired as a pre-amp) Mesa-Boogie Triaxis preamps Mesa-Boogie 100 watt power amp Marshall JCM 900 preamps Marshall 4x12 cabinets in sound coffins described above GARAGE INC. / S&M Guitars ESP Eclipse #2 Black, tune-o-matic bridge, black hardware Neck-through-body, rosewood fretboard EMG 81/81 pickups, 2 volume and 1 tone control Pushead spider inlays at frets 1, 3, 5, 7, and 9 Skull and crossbone inlays at frets 12, 15, 17, 19, 21 and 24 This guitar is similar to the one ESP made for Kirk during the "Black Album" gigs (the KH-3 model) except it is missing the Spider graphic and the Floyd Rose trem. This guitar is used to be played D tuned. Can be seen: "MTV's: Metallica at Roseland Ballroom" - ("The Small Hours"). Could possibly be the replacement for his Jackson Rhodes. Still used live Amps Same as on previous album Kirk also used Wizard 4x12" cabinets during the "Garage Inc." gigs SUMMER SANITARIUM TOUR Guitars ESP M-II #6 "Frankenstein" Its body's graphic is Boris Karloff as "Frankensetin's Monster" 2x EMG 81 humbuckers, 2 volume and 1 tone control The writing THE MONSTER IS ALIVE! as inlays 2 red lights as the graphic's eyes, inlays glow green in the dark Still used live Amps Same as on previous tour Kirk's ESP guitars (unless otherwise noted): Are built or overseen by Matt Masciandaro. Kirk's guitars are maple neck-through-body designs with alder bodies. All of the ESP guitars have rosewood fretboards. All hardware (tune-o-matic bridges, stop piece, or Floyd Rose bridges and arms, and tuners) is black. Most have Fender style 3 way slot switches, 2 volume controls (one for each pickup) and 1 tone. JAMES' EQUIPMENT CHRONOLOGY KILL 'EM ALL Guitars Epiphone Flying V White with golden hardware, dot inlays, Seymore Duncan pickups 2 volume controls, 1 tone Can be seen: "Cliff 'Em All" - ("Whiplash") Last time used live: "Master of Puppets" gigs Amps Marshall 100 watt head and 4x12 cabinets - Jose Arrengando modified Effects ProCo Rat Distortion Picks Dunlop Green Tortex .88 mm RIDE THE LIGHTNING Guitars Gibson Explorer #1 White w/ black headstock, dot inlays, has sported different stickers 496R/500T ceramic magnet humbuckers were replaced by two EMG 81 humbuckers in 1987 Can be seen: "Cliff 'Em All" - ("Creeping Death") Last time used live: "Monsters of Rock" tour Amps Marshall 100 watt head and 4x12 cabinets Picks Dunlop Green Tortex .88 mm MASTER OF PUPPETS GUITARS Jackson KV1 (King V - Dave Mustaine signature serie) White, triangle inlays Duncan humbuckers, replaced by two EMG 81 humbuckers in 1987 With this guitar James used to play "The Thing That Should Not Be" during "Master of Puppets" gigs Neck thru body, poplar body, ebony fingerboard LSR tuning machines Last time used live: 1987 (Jaymz broke the neck down the middle) Amps Mesa-Boogie Mark C+ amp (re-wired as a pre-amp) Marshall 100 watt power amp Marshall 4x12 cabinets Picks Dunlop Green Tortex .88 mm GARAGE DAYS RE-REVISITED GUITARS Gibson Explorer #2 White w/ black headstock, dot inlays, EMG 60/81 humbuckers Different knob layout than on current explorers. MORE BEER sticker Last time used live: "... And Justice For All" gigs Amps Mesa-Boogie Mark C+ amp (re-wired as a pre-amp) Marshall 100 watt power amp Marshall 4x12 cabinets Pics Dunlop Green Tortex .88 mm ...AND JUSTICE FOR ALL GUITARS White ESP Explorer #1 Extended middle finger inlays, EMG 60/81 humbuckers EET FUK sticker on body Can be seen: "Live Shit: Seattle" - most songs Only used live: "...And Justice For All" gigs The EET FUK Explorer was autographed by him and reside now at the "House of Guitars" (641 Titus Ave. Rocester, NY) the place where the "Kill 'Em All" album was recorded. White ESP Explorer #2 Dot inlays, EMG 60/81 humbuckers Now sticker covered, most predominatly "So Fucking What" on rear horn and "Mud flap woman" on lower horn. Hetfield's main recording guitar for the "Metallica" and "Load" album Can be seen: "A Year and a Half..." and "Nothing Else Matters" video Black ESP Explorer #1 Dot inlays, EMG 60/81 humbuckers FUK EM UP sticker on real horn, LA Raiders sticker between pickups, and somehthing on the top of the headstock, I can't make it out. Can be seen: "Live Shit: Seattle" - ("The Thing That Should Not Be") Last time used live: "... And Justice For All" gigs or possibly "Black Album" gigs Amps Roland Jazz Chorus 120 Mesa-Boogie Mark C+ amp (re-wired as a pre-amp) Marshall 100 watt power amp Marshall 4x12 cabinets Picks Dunlop Green Tortex .88 mm METALLICA Guitars live: Black ESP Explorer #2 Dot inlays, EMG 60/81 humbuckers Can be seen: "Live Shit: San Diego" - most songs Last time used live: Before the "Load" gigs Black ESP Explorer #3 'Man to Wolf' inlays, EMG 60/81 humbuckers Can be seen: "Live Shit: San Diego" - ("Harvester of Sorrow") Still used live Black ESP Explorer #4 'Black Album Snake' inlays, EMG 60/81 humbuckers Mainly used as a D-tuned guitar Can be seen: "Live Shit: Seattle" - ("Sad But True") Black ESP Explorer #5 National Rifle Association inlays, EMG 60/81 humbuckers Probably never played live Black ESP Explorer #6 Deer Skull inlays, EMG 60/81 humbuckers Last used live: Before the "Load" gigs ESP Double Neck Explorer #1 Black, duck inlays, EMG 60/81 humbuckers (each neck) 12 string top neck, 6 string bottom neck Can be seen: (barely) inside the Live Shit booklet In Montreal on 8th August '92 James was burnt in a pyro accident with this guitar. James used to play "Fade to Black" with this guitar. Last time used live: "Black Album" gigs Gibson Chet Atkins Accoustic/Electric Black, gold hardware Body: Solid Spruce top, Acoustically chambered Mahogany back Neck/Profile: Mahogany/Modern classic Fingerboard/Inlay: Rosewood/None Scale/Nut Width: 25 1/2"/1 13/16" (CE) or 2" (CEC) Binding: Multi-ply top Pickups:Gibson Hex piezo bridge transducer Controls:Active volume, Active volume, treble and bass (boost and cut) on rim Internal individual string volume adjustment Can be seen: "Live Shit: San Diego" - ("The Unforgiven") Last used live: Before the "Load" gigs Studio: Gretsch White Falcon II (model 7594) Coral Electric Sitar (Red) 12 string electric-guitar Amps Roland Jazz Chorus 120 Mesa-Boogie Mark IV amp (re-wired as a pre-amp) Mesa-Boogie 100 watt power amp Mesa-Boogie 4x12 cabinets For the "Black Album" gigs and beyond, equip manager and bass roadie Zack Harmon designed speaker coffins for consistant tone. These were essentially large road cases housing a speaker cabinet, sound dampening and fixed positon microphones (Senheiser 421s). Picks Dunlop Green Tortex .88 mm (Metallica logo / TBA snake) LOAD Guitars Black ESP Explorer #7 - Elk Skull Barbed wire inlays, EMG 60n/81b humbuckers 4-M logo burnt on back of guitar Wood burning and graphics by Dino Murdian Elk skull graphic on body (which looks more like a deer skull graphic) Can be seen: "Cunning Stunts" - ("So What"), "The Memory Remains" - video, Still used live Ken Lawrence Explorer Mahogany body w/ Chichino bark laminate, EMG 60n/81b humbuckers 'Tribal Hunting Scene' inlays Modified Kenneth Lawrence headstock Can be seen: "Cunning Stunts" - ("One") James uses this guitar for the most songs live Still used live ESP JH-1 Flying V #1 Black, 'Red Hot-Rod Flame' graphics, EMG 60/81 humbuckers 4-M inlay at 1st fret, top of M at each other fretmarker Similar model availiable as ESP JH-1 Can be seen:'Guitar World Presents Guitar Legends: Metallica edition' Occasionally still used live ESP JH-1 Flying V #2 Black, 'Fuel Injected' graphics, EMG 60/81 humbuckers 4-M inlay at 1st fret, top of M at each other fretmarker Stickers: Corvette racing flags Can be seen: "Cunning Stunts" - ("Kill/Ride Medley") and inside ReLoad booklet Still used live ESP Black Explorer #8 - Black Diamond Plate Black w/ black diamond plate (on body), EMG 60/81 humbuckers Elk skull inlays Used as D-tuned guitar Similar model available as ESP JH-2 Can be seen: "Cunning Stunts" - ("Sad But True") Still used live ESP Black Explorer #9 - Black Diamond Plate Black w/ black diamond plate (on body), EMG 60/81 humbuckers Inlays: 4M logo at 1st fret and diamonds at the rest Used as a D-tuned guitar Similar model available as ESP JH-2 Can be seen: "I Disappear" video Never used live Amps Roland Jazz Chorus 120 Mesa-Boogie Mark IV amp (re-wired as a pre-amp) Mesa-Boogie Triaxis preamps Mesa-Boogie 100 watt power amp Mesa-Boogie 4x12 cabinets in sound coffins described above Picks Dunlop Green Tortex .88 mm (Metallica logo / 4M Ninja Star) RE-LOAD Guitars Fender '52 Telecaster Butterscotch w/ black hardware Equiped with a Parsons-White B-bender system Can be seen: 'American Music Awards 1998' which is the only live performance of "The Unforgiven II" National Reso-Lectric Red, resonator type guitar Used for accoustic sets on "ReLoad" gigs ESP Rounded Top Eclipse Black w/ white bindings and white accents, EMG 60/81 pickups Flag inlays, gold hardware Similar model available as ESP JH-3 Can be seen: "MTV ReLoad, Rehearse, Request" Amps Roland Jazz Chorus 120 Mesa-Boogie Mark IV amp (re-wired as a pre-amp) Mesa-Boogie Triaxis preamps Mesa-Boogie 100 watt power amp Mesa-Boogie 4x12 cabinets in sound coffins described above Picks Dunlop Green Tortex .88 mm (Metallica logo / 4M Ninja Star) Dunlop Green Tortex .88 mm (Metallica logo / Fixxxer Doll) GARAGE INC. / S&M Guitars 1963 Gibson SG Cherry Red, mahogany body, chrome hardware 490R/498T Alnico magnet humbucker Mahogany neck, rounded profile, rosewood fingerboard Trapezoid inlays Scale/Nut Width: 24 3/4"/1 11/16" Binding: Fingerboard Bridge/Tailpiece: ABR/Stop bar Controls: Two volume, two tone, three-way switch Can be seen: "Turn the Page" video 1966 Martin D-28 (acoustic) Amps Roland Jazz Chorus 120 James used Wizard amps and cabinets for the "Garage Inc." gigs, but after these gigs he switched back to the Mesa/Boogie amps and cabinets. Picks Dunlop Green Tortex .88 mm SUMMER SANITARIUM TOUR Guitars ESP Black Explorer #10 - Chrome Diamond Plate Black w/ chrome diamond plate (on body & headstock), EMG 60/81 humbuckers Inlays: Mother of pearl 4M logo at 1st fret and diamonds at the rest Used as a D-tuned guitar Similar model available as ESP JH-2 Can be seen: "MTV Movie Awards 2000" - live performance of "I Disappear" Otherwise never used live ESP Black Explorer #11 - Chrome Diamond Plate Black w/ chrome diamond plate (on body & headstock), EMG 60/81 humbuckers Inlays: Abalone colored 4M logo at 1st fret and diamonds at the rest Used as a D-tuned guitar Similar model available as ESP JH-2 Still used live Amps 4x customized Mesa Boogie Tri-Axis preamps 2x Mesa Boogie Strategy 400 power amplifiers Mesa/Boogie 4 x 12" speaker cabinets Wizard 4 x 12" speaker cabinet Mesa Boogie Tremoverb 2 x 12" combo amp James' ESP guitars (unless otherwise noted): Are built or overseen by Matt Masciandaro. James guitars are neck-through-body constructed. They mainly have maple necks and mahogany bodies. All of the ESP guitars have rosewood fretboards except for the "Black Album" guitars which are Ebony. All hardware (tune-o-matic bridge, stop piece and tuners) is black. There are Gibson style 3 way switches, and 2 volume controls (one for each pickup). Link to comment Share on other sites More sharing options...
Susceptor Posted June 20, 2005 Author Share Posted June 20, 2005 merci mult...really helped Link to comment Share on other sites More sharing options...
Cosu Posted June 20, 2005 Share Posted June 20, 2005 no problem acu am si eu o intrebare.. in afara de cultura generala la ce te mai ajuta? eu nu cred ca o sa pun mana pe una din sculele alea in urmatorii 2 ani (sunt un optimist stiu ) Link to comment Share on other sites More sharing options...
Susceptor Posted June 20, 2005 Author Share Posted June 20, 2005 tonul chitarilor de pe MOP e preferatu meu..nah..recunosc..de pus mana pe scule nu.. dar un jackson cu emg (poate chiar 81) se poate face rost...iar restu..well..e bine daca ai niste scheme electrice (cum am eu) daca as face rost si de componente cat de cat sa semene cu cele originale ar fi ideal..de asamblat am cu cine sa fac asta.. daca nu o sa mai fiu certat cu maicamea o sa fac rost de chitara.. Link to comment Share on other sites More sharing options...
Cosu Posted June 20, 2005 Share Posted June 20, 2005 iti faci o copie de mesa ? Link to comment Share on other sites More sharing options...
Susceptor Posted June 21, 2005 Author Share Posted June 21, 2005 momentan nu, am doar scheme pt marshall, orange, fender si alte efecte ibanez, boss si dod (si alte efecte de care eu personal nu am auzit de ele-cultura "generala" limitata) Link to comment Share on other sites More sharing options...
varu' maftei Posted June 24, 2005 Share Posted June 24, 2005 Eu stiam ca James a tras singur toata chitara ritmica din MOP cu un Gibson Explorer cu doza din bridge Seymour Duncan Invader, poate ma insel. Link to comment Share on other sites More sharing options...
ronniefrown Posted June 24, 2005 Share Posted June 24, 2005 Eu stiam ca James a tras singur toata chitara ritmica din MOP cu un Gibson Explorer cu doza din bridge Seymour Duncan Invader, poate ma insel. <{POST_SNAPBACK}> avea emg-uri 81 http://www.montyjay.com/jameswhitegibsonexp.html Link to comment Share on other sites More sharing options...
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