Guest Hidden Posted February 19, 2008 Posted February 19, 2008 De ce este nevoie pentru a scoate din chitara un sunet asemanator cu cel de aici ?
Guest omuletzu verde Posted February 19, 2008 Posted February 19, 2008 sau de niste pedalutze.... placebu=gay
karpi Posted February 19, 2008 Posted February 19, 2008 (edited) De ce este nevoie pentru a scoate din chitara un sunet asemanator cu cel de aici ? totusi pare-se ca este doar chitara si statia in overdrive su un efect de distors usor overdrive , nu prea este clar deoarece este post procesat si doar o singura nota la inceput a fost singura chitara fara trupa . Se trage cu mai multe microfoane tot concertul ca si in studio pe mai multe canale si dupa acea in studio se remixeaza si se adauga efecte ambientale sa sune mai plin .Eventual baga si un pic din sunet de sala . Sau un studio mobil mixeaza in direct in caz de emisiune live TV. Edited February 19, 2008 by karpi
varu' maftei Posted February 19, 2008 Posted February 19, 2008 Ce destepti sunteti, singuraticul si omuletzu verde ! In ultima vreme e plin pe RGC de comentatori din astia varza... Asta off topic. Si acum, ca sa-i raspund omului, ca de-aia a intrebat, nu ca sa va bagati voi in seama, uite ce-am gasit : 1. For a man who claims to be an untalented musician, Molko talks about his equipment with a real passion. "I play three pre-CBS Fender Jags, through a Fender Twin and a Marshall three-channel LN Anniversary Head. I use the three channels for different states of overdrive on the Marshall and on the Fender, I use a Sovtek Big Muff, which gives a classic sound for the distortion. That way, I manage to balance out the different qualities of the two amps, to get a fuller sound. I used to use a Boss DD-3 delay with a master supply power switch to turn it on and off between songs. I've got into using the tremolo arm on the old Jags. If you watch Bruise Pristine, I'm going crazy with the old whammy bar..." 2. Equipment Molko uses a variety of guitars. In the Sleeping With Ghosts era, he used Gibson SGs (The Bitter End, Every You Every Me, "Plasticine", Black-Eyed, Without You I'm Nothing, Special K, "Bulletproof Cupid", "Soulmates", Special Needs, This Picture), Fender Jaguars ("Allergic", Pure Morning, Nancy Boy, "Bionic", "Centrefolds", Where is My Mind?), a Fender Thinline Telecaster (Taste in Men) and a Fender Bass VI (Slave To The Wage). For amplification he used a Fender Twin Reverb. Through the Meds Tour, he used Gretsch Duo Jets (Infra-Red, Because I Want You, Song to Say Goodbye, "One of a Kind", The Bitter End, Running Up That Hill, Special K), Gibson SGs (Special Needs, Every You Every Me, Black-Eyed), a Fender Jaguar ("Drag", Nancy Boy), a Fender Thinline Telecaster (Twenty Years) and a Gibson Chet Atkins SST (Meds). Once again his amplifier was a Fender Twin Reverb. During a 2003 interview with Graham Norton, Molko revealed he collects guitars, and gives them all names - amongst them are his favourite, 'Bitch', and a pink guitar (which he claims is gay) called 'Bertie'.
Guest Hidden Posted February 20, 2008 Posted February 20, 2008 omuletzu_verde: "sex,drugs & rock and roll" iti spune ceva? nu cunosc alta trupa sa se plieze asa bine pe celebra 'cuvantare',asa ca..."rock on" you too @varu'_mafter: multam fain,era un site placeboequipment.com sau ceva de genul unde apareau toate informatiile astea,dar o sa treaca ceva vreme pana o sa-mi permit cea mai ieftina piesa dintre acelea @karpi:multumesc frumos,fiind incepator,nu prea inteleg termenii,recomanzi un site/o carte/orice de unde pot invata de la inceput si mai pe indelete partea asta a zdranganitului ? multam frumos in avans
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