barbarossa
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Posts
2096 -
Joined
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Posts posted by barbarossa
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ofer servicii de reglaje/setari, intretinere chitara sau bass.
detalii pe p.m.
tg.mures
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toate bune si frumoase, dar pt chitari mega-ieftine macar la un bolt-on poti ajusta unghiul gatului, daca e problematic...eu personal as avea retineri sa iau o chitara ieftina cu set-neck, unde daca unghiul gatului nu e corect, nu prea ai ce-i face si risti sa nu prea poti ajusta actiunea calumea...de principiu eu sunt de parere ca trebuie cumparata chitara second cea mai scumpa si din gama de modele cele mai ridicate pe care ti-o permiti, fara a lua in calcul culoarea sau alte aspecte estetice care trag de pret. oricum imbunatatirile, ca e revopsire (calitativa=f scump, sau doze etc) nu prea o sa le recuperezi la o revanzare...daca vrei tu doar asa de pitici pe creier sa ai o chitara de forma aia, ca proiect, in care sa bagi bani doar pt placerea ta, fara sa te intereseze, atunci poti alege ce vrei tu, dar tine minte ca din rahat nu faci bici, oricat ai vrea
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Nu multumesc. Pretul este 150
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chitara se poate vinde si cu un Seymour Duncan JB trembucker, negru, estimez ca fiind mai vechi, probabil anii 80 sau asa ceva, fiind stantat "made in usa", nu "made in America"-whatever that means
.suna excelent!
pretul sensibil acelasi.
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schimb ma intereseaza doar cu seymour duncan pearly gates trembucker - bridge, negru
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150 final. la schimb ma intereseaza doar cu seymour duncan pearly gates trembucker - bridge, negru
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950 pret final
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se simte diferenta intre tremolo normal, in aer, si tremolo care face contact cu vreo parte a corpului sau cu un sistem gen tremol-no, fu-tone etc.
este mai plin sunetul. arcurile iti sugerez sa le pastrezi, macar atatea cat sa tina in balans cat de cat in cazul in care pica vreo bucata de lemn sau ce pui tu acolo. ca poate nu e fixata bine, tragi mai serios de corzi si iti dai cu tremolo-ul de cap
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out of this world
si cica e fail
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news flash:
kramer nu mai e DEMULT o firma de referinta, e cucumparata de gibson si a fost folosita doar pt experimente nereusite si chitari dubioase din lemne dubioase la preturi dubioase, facute in tari dubioase in cu totul alta zona decat america.
ibanez produce si in japonia...cand cineva spune ibanez se refera la o chitara mij...alea din alte zone sunt pt copilasi.
gibson sau alte companii americane produc exact in fabricile lor...in sua exista niste reglementari stricte care spun ca nu poate scrie made in usa sau made by x decat in anumite conditii...a fost si un proces prin 97-98 in urma caruia washburn a platit o amenda de 1 milion $ pt ca a umblat cu cioara vopsita, adica a vandut chitari produse in japonia dar stantate made in usa...asta aproape ca i-a pus cruce lui washburn.
gibson fender si altii au facut fata cererii, atat cat era ea, in anii 70, 80 si 90. in 70 au intrat pe piata japonezii pt ca gibson si fender erau la pamant, in conditiile in care toata lumea era disco
.in 80 a explodat lumea chitarilor, si asa au aparut kramer, charvel, bc rich, esp si altele, cat mai ascutite si mai roz. si multe made in japan. in anii 70/80 nu exista decat japan in ce priveste asia. daca era ceva facut altundeva, era chiar bataie de joc (urss/romania etc). japonia era zona de unde veneau chitari low end/low price. cu unele exceptii in privinta calitatii...
in 90 a disparut fenomenul glam etc, au disparut incet si chitarile roz si au reintrat pe piata fender gibson etc, care s-au repus pe picioare, au si cumparat intre timp companiile care s-au dus pe apa sambetei...au produs in usa si au facut fata cererii. pt low-end au folosit branduri dedicate, gen epi sau squire, produse in destinatii mai exotice, gen korea etc. japan a devenit incet incet hi-end, si din cauza acumularii experientei dar si in contextul economic.
au venit anii 2000 si de cand cu internetul si globalizarea s-a pus efectiv problema de a face fata cererii tot mai mari, care acum vine de peste tot.
asa au aparut tot felul de solutii, de la lemne mai dubioase la tari si mai exotice unde sa se produca, la metode de finisaj (faded) etc, s-a alimentat mitul ca mai nou si korea ehi-end, ca japan sa nu mai vorbim, usa la fel...unele chestii sunt si menite sa tina pretul sus...preturile la usa sunt in continua crestere, si automat si la restul (japan, korea etc), totul in contextul economic al crizei si al foamei de bani.
usa este unde este si pt ca lemnul folosit provine tot din america. si este o diferenta. nu e acelasi basswood-ul american cu cel asiatic, nici mahonul, nici artarul...sunt rude, vorba aia close but no cigar. la o asiatica, ce-i drept, cu cat creste pretul cu atat e mai aproape de ce ar trebui sa fie.
cat despre chitarile facute pt artisti...hai totusi sa fim realisti. chiar sa fie facute pe altundeva nu prea cred...sunt facute de cine scrie ca sunt facute, in fabricile unde se faceau la vremea aia, doar ca se acorda atentia maxima la detalii, lemn, lucrare, hardware. se trimit mai multe exemplare si unul-doua tot raman la artist...de multe ori sunt chiar primele modele, cele cu nr de serie 01 sau pe la inceput, poate si din motive sentimentale ale artistului... totusi vorbim de vai, satriani, evh si altii. care sunt unde sunt pt ca au niste maini si urechi mai aparte. ei ar fi capabili sa faca fata cu brio si cu o chitara mai low-end...
de la un anumit punct diferenta de calitate a materialelor este tot mai mica raportat la pret...apar alte aspecte care contribuie la pretul crescut, de multe ori estetice, ca materialul pt inlay-uri, culoarea, cat de figured este lemnul etc...
evident ca brand-ul cantareste in pret. dar uneori iti da si garantia unor standard-uri si control de productie si calitate. am vazut cu ochii mei chitari facute manual de-a binelea, la comanda, in numar redus, unele fara a fi "de brand" la care dupa un timp au aparut tot felul de probleme din cauza ca nu a fost uscat lemnul etc. fie a puscat efectiv, fie s-a indoit iremediabil, fie a puscat/ s-a umflat lacul sau mai stie eu ce...se mai intampla. oricat ai fi de lutier, trebuie sa stii de unde sa iei lemnul, cum sa il usuci sau sa fie deja uscat, cum si care trebuie sa fie lacul samd...la gibson/fender si altii cu traditie (ibanez, music man, prs, esp etc., sa nu spuna lumea ca sunt fan-boy) riscurile astea scad... bine-inteles, de la un anumit pret si standard. cu cat e mai jos pretul, cu atat brandul cantareste mai mult si calitatea mai putin. dar nici in partea aialalta nu trebuie mers neaparat tare mult..exista o zona unde chiar daca costa si brandul, este si calitatea....
uite, de exemplu eu am un bc rich facut manual (cu gaurile de la control cavity sau altele taiate cu mana, stramb si neuniform, te ia cu ameteala cand te uiti la ele, cu lacul puscat la toate tastele si crapat de-a lungul gatului). suna excelent, chiar nu am ce sa-i reprosez. actiune superjoasa, tot ce imi doresc. am luat-o second, dar pare ingrijita, deci poate ca problemele astea era scis sa apara. desi estetice, sa o fi vazut asa cel care a comandat-o atunci cand a luat-o noua, oare ar mai fi facut-o? un sac de bani pt o chitara facuta manual, de o companie care facea sub 1000 de astfel de chitari pe an...
chiar citisem recent despre frankenstrat-ul lui eddie...care se pare ca avea un action foarte ridicat, doza era bulita (arata 0 la aparat) dar mergea (am si eu asa o problema
), avea bridge-ul pozitionat astfel incat nu putea fi intonata chitara calumea, avea pe ea vopsea cat pentru 3 chitari etc...dar omul a facut cu ea istorie...deci se poate...eu sunt de parere ca unii useri care au postat anterior au dreptate in sensul ca: prea ii manca pe unii in fund misterele astea. viata e scurta. iti permiti, ia-ti-o. nu iti permiti, ia ce iti permiti. constati ca ce ai nu corespunde, fa upgrade sau downgrade pana esti multumit. daca te manca gibsonul nu o sa scapi decat daca il iei. dupa ce "ti-ai scos asta din sistem", vezi tu. invata sa canti.
evident, totul e parerea mea.
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lol. aia e basswood. e 2400.
cea din linkul tau e 2410, e alder si vine doar in culoarea aia.
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fun facts continued
vh
Van Halen (1978)
Runnin' with the Devil: 1975 Ibanez Destroyer
Eruption: Frankenstein
You Really Got Me: 1975 Ibanez Destroyer
Ain't Talkin' 'Bout Love: Frankenstein
I'm the One: Frankenstein
Jamie's Cryin': 1975 Ibanez Destroyer
Atomic Punk: Frankenstein (solo overdub guitar?)
Little Dreamer: Frankenstein
Ice Cream Man: Dave's acoustic (unknown); Ed -- Frankenstein
On Fire: 1975 Ibanez DestroyerVan Halen II (1979)
You're No Good: Frankenstein
Dance the Night Away: Ibanez Destroyer, Frankenstein for second guitar
Somebody Get Me a Doctor: Frankenstein
Bottom's Up: Frankenstein; solo overdub also Frank?
Outta Love Again: Ibanez Destroyer
Light up the Sky: Rhythm = Destroyer; Lead = Frank
Spanish Fly: Ovation nylon acoustic
D.O.A.: Frankenstein
Women in Love: Intro = Fender 12-string (???); FrankensteinWomen and Children First (1980)
And the Cradle will Rock: Chris Holmes' Destroyer or the Les Paul Gold Top?
Everybody Wants Some: Frank all the way
Fools: Frank
Romeo Delight: Frank
Tora, Tora/Loss of Control: Frank?
Take Your Whiskey Home: Intro = acoustic (unknown), Chris Holmes' Destroyer (no trem dives)
Could this Be Magic: God, I wish I knew...
In a Simple Rhyme: Rickenbacker 12-string; Holmes' Destroyer?1984
Jump - Frankenstein
Panama - Frankenstein
Top Jimmy - Ripley
Drop Dead Legs - Flying V
Hot For Teacher - Flying V
I’ll Wait - I think I’ve heard this was a vintage Strat, possibly the same as the “5150” Strat?
5150
Get Up - Steinberger
Dreams - Kramer Ferrington Acoustic on Intro
Summer Nights - Steinberger
Best of Both Worlds - “5150” Strat
Love Walks In - “5150” Strat on Solo
OU812
Cabo Wabo - 12 String Fender
Finish What Ya Started - Strat direct into board?
FUCK
Judgement Day - Last known recording w/ 5150 Kramer
Runaround - Fender Tele on rhythm, EVH prototype on lead
316 - Chet Atkins Acoustic
Top of the World - Flying V
Balance
I’d be surprised if this entire album wasn’t EBMM EVH, with the exception of the “Big Fat Money Solo” being a 335?
BOV1
Me Wise Magic - Peavey Wolfgang w/ TransTrem
VH3
Without You - Definitely sounds like it’d be a P90 Wolfgang similar to the one used in the music video, but that's just my own speculation...
ADKOT
Wolfgang Stealth on all tracks except…
You and Your Blues - Strat on solo and lead dubs
Blood and Fire - Ripley
As Is - Wolfgang w/ D2H
Honeybabysweetiedoll - There’s some sustainer work in here, possibly the cherry sunburst Peavey Wolfgang for the 2004 tour? I’ve seen pics of it in 5150 recently.-
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man eu nu insist in nimic, pur si simplu am pus niste poze si informatii...cu privire la slash, informatiile de acolo sunt din surse sigure, inclusiv din autobiografia lui...scrie clar acolo ca a folosit copia aia cel mai mult (defapt sunt 2 copii) bla bla bla.
dar a folosit si altele, ca main guitar. pt mine personal tonul lui dupa 2000 chiar nu imi spune nimic...
ps...chill man
. eu sunt calm, nu sar ca muscat de cur. tu pari sa fii alanu stii tu cat de ignorant sunt eu
nu ma cert cu tine, eu port o conversatie. tu?
sunt la fel de fan lp cum sunt si strat sau wolfgang sau music man sau n4...chiar si ibanez imi place...consider js-ul una dintre cele mai frumoase chitari si imi place mult tonul ei, inclusiv live (si asta spune multe)...vai ca ton si design a fos...meh, mai mereu pt mine, dar stie ce sa faca cu ea.
interesant ca satch are/avea in colectie si epi/squier
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am mai gasit niste poze cu parte din chitarile lui satriani
slash:
Appetite For Destruction (1987 with Guns N' Roses)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Gibson SG 1960 (My Michelle)
- Marshall JMP 1959 Super Lead S.I.R. stock #36 modded by Frank Levi (for distorted sounds)
- Roland JC-120 Jazz Chorus (for clean sounds)
GN'R Lies (1988 with Guns N' Roses)- B.C. Rich Warlock (Reckless Life / Nice Boys / Move To The City / Mama Kin)
- Guild AJF30 (Patience / Used To Love Her / You're Crazy / One In A Million)
Use Your Illusion 1 & 2 (1991 with Guns N' Roses)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Gibson Les Paul Goldtop 1956 (rhythm) (Estranged)
- Gibson Flying V 1959 (lead) (Live And Let Die / Knockin' On Heaven's Door)
- Gibson Explorer 1958 (lead) (Locomotive)
- Travis Bean 1000 (slide) (Bad Obsession / The Garden)
- Fender Stratocaster 1965 (lead) (Yesterdays / So Fine)
- Fender Bass 6-strings 1965 (rhythm) (Right Next Door To Hell)
- B.C. Rich Mockingbird (lead) (You Could Be Mine)
- Marshall JCM 800 2203 S.I.R. stock #34 modded by Frank Levi (for distorted sounds)
- Roland JC-120 Jazz Chorus (for clean sounds)
- Mesa Boogie Mark III (for feedback sounds)
Get In The Ring Tour (1991-1992 with Guns N' Roses)- Gibson Les Paul Standard 1987 (main live guitar #1)
- Gibson Les Paul Goldtop 1987 (main live guitar #2)
- Gibson Les Paul Standard 1984 (Paradise City)
- Gibson Les Paul Standard Skull 1991 (Attitude)
- Gibson EDS-1275 Doubleneck 1975 (Patience / Knockin' On Heaven's Door / Wild Horses)
- B.C. Rich Mockingbird (Mr. Brownstone / Perfect Crime / You Could Be Mine)
- Travis Bean 1000 (Bad Obsession)
- Sanchez Custom 1990 (Dust N' Bones)
- Marshall JCM 2555 Silver Jubilee with EL34 tubes
- Marshall 1960BV 4x12 cabinet with 70 watts Celestion Vintage 30 HP
Skin N' Bones Tour (1993 with Guns N' Roses)- Gibson Les Paul Standard 1987 (main live guitar)
- Gibson Les Paul Standard 1992 (Welcome To The Jungle / It's So Easy / Nightrain / Mr. Brownstone)
- Gibson Les Paul Standard 1984 (The Garden / Nice Boys)
- Gibson Les Paul Goldtop 1987 (Sweet Child O' Mine / Estranged)
- Gibson Les Paul Standard Skull 1991 (Attitude)
- Gibson EDS-1275 Doubleneck 1975 (Live And Let Die)
- Guild Crossroads Doubleneck (November Rain / Yesterdays / So Fine / Don't Cry)
- B.C. Rich Mockingbird (You Could Be Mine)
- Marshall JCM 2555 Silver Jubilee with EL34 tubes
- Marshall 1960BV 4x12 cabinet with 70 watts Celestion Vintage 30 HP
The Spaghetti Incident? (1993 with Guns N' Roses)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Marshall JCM 800 2203 S.I.R. stock #34 modded by Frank Levi (for distorted sounds)
- Roland JC-120 Jazz Chorus (for clean sounds)
- Mesa Boogie Mark III (for feedback sounds)
It's Five O'Clock Somewhere (1995 with Slash's Snakepit)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Fender Stratocaster 1965 (lead) (What Do You Want To Be / Back And Forth Again)
- Travis Bean 1000 (slide) (Beggars And Hangers-On)
- Marshall JCM 800 2203 S.I.R. stock #34 modded by Frank Levi (for distorted sounds)
Ain't It Good To Be Alive Tour (1995 with Slash's Snakepit)- Gibson Les Paul Standard 1987 (main live guitar)
- Gibson Les Paul Standard 1992 (Take It Away)
- Gibson Les Paul Standard 1976
- Gibson Les Paul Goldtop 1987 (Beggars And Hangers-On)
- B.C. Rich Mockingbird (Jizz Da Pit)
- Guild Crossroads Doubleneck (Neither Can I / Back And Forth Again)
- Marshall JCM 2555SL Slash Signature with EL34 tubes (distorted sounds)
- Marshall JCM 2555 Silver Jubilee with KT88 tubes (clean sounds)
- Marshall 1960BV 4x12 cabinet with 70 watts Celestion Vintage 30 HP
Ain't Life Grand (2000 with Slash's Snakepit)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Gibson ES-335 1967 (rhythm) (Back To The Moment)
- B.C. Rich Mockingbird (lead) (The Truth / The Alien)
- Travis Bean 1000 (slide) (Shine / Rusted Heroes)
- Fender Bass 6-strings 1965 (rhythm) (Been There Lately)
- Marshall JCM 800 2203 S.I.R. stock #34 modded by Frank Levi (for distorted sounds)
- Marshall JCM 2555 Silver Jubilee (for distorted sounds)
Ain't Life Grand Tour (2000-2001 with Slash's Snakepit)- Gibson Les Paul Standard 1987 (main live guitar)
- Gibson Les Paul Standard 1992 (Rusted Heroes)
- Gibson Les Paul Standard 1996 (Beggars And Hangers-On)
- Gibson Slash Les Paul Snakepit 1996 (Shine)
- Gibson Les Paul Standard 1976
- B.C. Rich Mockingbird (The Truth / The Alien)
- Guild Crossroads Doubleneck (Serial Killer)
- Marshall JCM 2555SL Slash Signature with EL34 tubes (distorted sounds)
- Marshall JCM 2555SL Slash Signature with KT88 tubes (clean sounds)
- Marshall 1960BV 4x12 cabinet with 70 watts Celestion Vintage 30 HP
Contraband (2004 with Velvet Revolver)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Gibson Les Paul Goldtop 1956 (rhythm) (Fall To Pieces / You Got No Right)
- Gibson Les Paul 12-strings 1990 (rhythm) (You Got No Right)
- Gibson ES-335 1967 (rhythm) (Loving The Alien)
- Fender Stratocaster 1965 (lead) (Sucker Train Blues)
- Fender Telecaster 1956 (rhythm) (Sucker Train Blues)
- B.C. Rich Mockingbird (lead) (Headspace)
- Marshall JCM 800 2203 S.I.R. stock #34 modded by Frank Levi (for distorted sounds)
- Marshall JCM 2555SL Slash Signature (for distorted sounds)
- Vox AC30 6TB (for clean sounds)
R&FN'R Tour (2004-2006 with Velvet Revolver)- Gibson Slash Les Paul Standard 2004 (main live guitar)
- Gibson Les Paul Goldtop '57 Reissue(Headspace / Superhuman / Slither / Dead And Bloated / No More No More)
- Gibson Les Paul Standard 1976 (Headspace / Superhuman / Slither / Come On Come In)
- Gibson Les Paul Standard 1984 (Headspace / Slither)
- Gibson Les Paul Standard 1987 (Fall To Pieces)
- Gibson Les Paul Standard Skull 1991 (Dirty Little Thing)
- Gibson EDS-1275 Doubleneck 1975 (Wish You Were Here)
- B.C. Rich Mockingbird (Sucker Train Blues)
- B.C. Rich Bich 1980 (Sex Type Thing / Crackerman)
- Guild Crossroads Doubleneck (You Got No Right / Patience / Wish You Were Here)
- Marshall JCM 2555SL Slash Signature with EL34 tubes (distorted sounds)
- Marshall JCM 800 2203 with 6550 tubes (distorted sounds)
- Marshall 1960BV 4x12 cabinet with 70 watts Celestion Vintage 30 HP
Libertad (2007 with Velvet Revolver)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Fender Stratocaster 1965 (lead) (Gravedancer)
- Gretsch 6120 Setzer (rhythm) (The Last Fight / Gravedancer)
- Marshall JCM 800 2203 S.I.R. stock #34 modded by Frank Levi (for distorted sounds)
- Marshall JCM 2555SL Slash Signature (for distorted sounds)
- Marshall JMP 1959 Super Lead modded by Tim Caswell (for distorted sounds)
- Marshall JVM 2466 Vintage Modern (for distorted sounds)
Re-Evolution Tour (2007-2008 with Velvet Revolver)- Gibson Slash Les Paul Standard 2004 (main live guitar)
- Gibson Les Paul Goldtop '57 Reissue(Superhuman / Slither / She Builds Quick Machines)
- Gibson Les Paul Standard 1976 (Superhuman / Slither)
- Gibson Les Paul Standard 1987 (Fall To Pieces)
- Gibson EDS-1275 Doubleneck 1975 (Gravedancer / Wish You Were Here)
- Gibson ES-335 (The Last Fight / Interstate Love Song)
- Gibson Melody Maker 2005 (Psycho Killer)
- Gibson Firebird VII (Sucker Train Blues)
- B.C. Rich Mockingbird (Sucker Train Blues)
- Guild Crossroads Doubleneck (Patience)
- Marshall JCM 2555SL Slash Signature with EL34 tubes (distorted sounds)
- Marshall JCM 2555 Silver Jubilee with KT88 tubes (clean sounds)
- Marshall JVM 2466 Vintage Modern with KT66 tubes (distorted sounds)
- Marshall 1960BV 4x12 cabinet with 70 watts Celestion Vintage 30 HP
Slash (2010 with guests)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Marshall JCM 800 2203 S.I.R. stock #34 modded by Frank Levi (for distorted sounds)
- Marshall JCM 800 2203 modded by Mike Morin (for distorted sounds)
- Marshall JMP 1959 Super Lead modded by Tim Caswell (for distorted sounds)
- Vox AC30 6TB (for clean sounds)
- Sears Silvertone (for clean sounds)
We're All Gonna Die Tour (2010-2011 with Myles Kennedy)- Gibson Slash Les Paul Appetite VOS 2010 (main live guitar #1)
- Gibson Slash Les Paul Standard VOS 2008 (main live guitar #2)
- Gibson Slash Les Paul Goldtop 2008 (Beggars And Hangers-On / Just Like Anything)
- Gibson Slash Les Paul Snakepit 1996 (Beggars And Hangers-On)
- Gibson Les Paul Standard Axcess (Nothing To Say)
- Gibson Explorer (Doctor Alibi / Speed Parade)
- Marshall AFD100 Slash Signature with 6550 tubes (distorted sounds)
- Marshall JCM 2555SL Slash Signature with EL34 tubes (distorted sounds)
- Marshall JCM 2555 Silver Jubilee with KT88 tubes (clean sounds)
- Marshall 1960BX 4x12 cabinet with 70 watts Celestion Vintage 30 HP
Apocalyptic Love (2012 with Myles Kennedy & The Conspirators)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Gibson Slash Les Paul Appetite (rhythm) (Standing In The Sun / Halo / Bad Rain)
- Music Man Baritone (rhythm) (We Will Roam)
- Marshall JCM 800 2203 S.I.R. stock #34 modded by Frank Levi (for distorted sounds)
- Marshall JCM 800 2203 modded by Dave Friedman (for distorted sounds)
- Marshall JMP 1959 Super Lead modded by Tim Caswell (for distorted sounds)
- Marshall AFD100 Slash Signature (for distorted sounds)
- Vox Night Train NT15H (for clean sounds)
Apocalyptic Love Tour (2012-2013 with Myles Kennedy & The Conspirators)- Gibson Slash Les Paul Appetite VOS 2010 (main live guitar #1)
- Gibson Slash Les Paul Standard VOS 2008 (main live guitar #2)
- Gibson Slash Les Paul Rosso Corsa 2013 (Watch This / Bad Rain / Beggars And Hangers-On / Rise Today)
- B.C. Rich Mockingbird (Doctor Alibi / Out Ta Get Me)
- Gibson Les Paul Standard Axcess (Nothing To Say)
- Guild Crossroads Doubleneck (Civil War)
- Marshall AFD100 Slash Signature with 6550 tubes (distorted sounds)
- Marshall JCM 800 2203 with 6550 tubes (distorted sounds)
- Marshall 1960BX 4x12 cabinet with 70 watts Celestion Vintage 30 HP
World On Fire (2014 with Myles Kennedy & The Conspirators)- Gibson Les Paul Standard 1959 replica (main recording guitar)
- Gibson ES-135 (left speaker) (Wicked Stone / Stone Blind / Beneath The Savage Sun)
- Gibson ES-175 (left speaker)
- Gibson Les Paul Junior (slide) (30 Years To Life)
- Gibson Les Paul 12-strings 1990 (rhythm) (The Dissident)
- Fender Bass 6-strings 1965 (rhythm) (Dirty Girl)
- Marshall JCM 800 2203 S.I.R. stock #34 modded by Frank Levi (right speaker)
- Marshall JCM 800 2203 modded by Dave Friedman (right speaker)
- Marshall JMP 1959 Super Lead modded by Tim Caswell (right speaker)
- HiWatt Custom 100 (left speaker)
- Orange OR100 (left speaker)
- Mesa Boogie Mark V (left speaker)
World On Fire Tour (2014-2015 with Myles Kennedy & The Conspirators)- Gibson Slash Les Paul Rosso Corsa 2013 (main live guitar #1)
- Gibson Slash Les Paul Vermillion 2013 (main live guitar #2)
- Gibson Les Paul Standard '58 Reissue (main live guitar #3)
- Gibson Slash Les Paul Appetite VOS 2010 (Doctor Alibi / We're All Gonna Die / World On Fire / Shadow Life / Too Far Gone / It's So Easy / Out Ta Get Me / Paradise City / You're Crazy / Rocket Queen / You Could Be Mine / Mean Bone / Fall To Pieces)
- Gibson Slash Les Paul Standard VOS 2008 (Watch This / Bad Rain / Slither)
- Gibson Les Paul Goldtop '57 Reissue (You're A Lie / World On Fire / Bent To Fly / Sweet Child O' Mine)
- Gibson Joe Perry Les Paul '59 Reissue (Wicked Stone / 30 Years To Life / Beneath The Savage Sun / Rocket Queen / You Could Be Mine / Fall To Pieces)
- Guild Crossroads Doubleneck (By The Sword / Anastasia / Civil War)
- Marshall JCM 800 2203 with 6550 tubes (distorted sounds)
- Marshall 1960BX 4x12 cabinet with 70 watts Celestion Vintage 30 HP
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http://www.vintageguitar.com/12756/joe-satriani-3/
http://www.vai.com/steves-guitars/#
http://www.premierguitar.com/articles/GALLERY_Inside_Steve_Vais_Harmony_Hut_Studio
La trackurile de ritm se foloseste de multe ori lp/strat/tele si pt varietatea tonala, grasime si nu in ultimul ran pt stabilitate...la o chitara cu floyd floating sau tremolo setat ciudat,prea senzitiv, cand dai mai ca barbatul in corzi se creaza acel efect de warble sau detuning si suna aiurea, ori cu lp,sg,tele samd nu ai stresul asta
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e marketing man totul...nu stii tu ce ton din ce o scos, in studio. doar live.
in studio stai linistit ca se trage la greu cu les paul si strat, printre altele...asta e valabil la toti chitaristii...cauta video-uri cu colectiile de chitari si ai sa vezi, si la yngwie si la satriani, si la vai, metallica etc. mai toti au aproape sigur cel putin cate un lp original din 57-59, cel putin un strat din anii 50-60, tele, si multe altele...
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multe js-uri mai adevarate (nu imi plac modelele cu 24 de taste, arata aiurea si si suna altfel) sunt din basswood. satriani a facut istorie cu js1, js2, js1000 si 1200, toate din basswood. iar vai are n modele, cam cate alder atatea si basswood...omu se mai plictiseste, mai schimba una-alta ca sa se justifice noul model, sa aiba un alt ton etc. nu e un lemn mai bun/prost decat altul. nu astea traditionale cel putin...doar ca suna mai mult sau mai putin diferit, in functie de multi alti factori
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schimb cu doza humbucker pt bridge, f-spaced/trembucker
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schimb cu doza humbucker pt bridge, f-spaced/trembucker
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160 FINAL
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160 FINAL
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170 ron, adica mult sub jumatate!
e in conditie f buna si e groasa.
ultimul pret!
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170 ron. ESTE NOU NOUTA, cu tag-urile pe ea
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. eu sunt calm, nu sar ca muscat de cur. tu pari sa fii ala
Poze cu bass-ii nostri :P
in Bass
Posted
lol nu. asa pozeaza telefonul meu cand e slaba lumina